Eva Mendes’s “Holy Motors”: quite scary and whimsical
It happens occasionally that I screen an art-house film, usually foreign, and have no idea what I’ve just seen. Usually in those cases, I feel manipulated and condescended to. In extreme cases — like, say, anything recent by Jean-Luc Godard — I feel like one of those angry hominids in 2001: A Space Odyssey, tossing […]
